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The Town Hall was built by The League for Political Education, whose fight for passage of the Nineteenth Amendment to the United States Constitution led them to commission the building of a meeting space where people of every rank and station could be educated on the important issues of the day. The space, which became The Town Hall, was designed by the renowned architectural firm of McKim, Mead & White, to reflect the democratic principles of the League. To this end, box seats were not included in the theater's design, and every effort was made to ensure that there were no seats with an obstructed view. This design principle gave birth to The Town Hall's long-standing mantra: "Not a bad seat in the house."
It has not only become a meeting place for educational programs, gatherings of activists, and host for controversial speakers (such as the American advocate of birth control Margaret Sanger, who was arrested and carried off The Town Hall stage on November 13, 1921, for attempting to speak to a mixed-sex audience about contraception), but as one of New York City's premiere performance spaces for music, dance, and other performing arts. While the lecture series and courses on political and non-political subjects sponsored by the League continued to be held there, The Town Hall quickly established a reputation as an arts center during the first fifteen years of its existence.
It has also had a long association with the promotion of poetry in the United States, which predates Edna St. Vincent Millay's public poetry reading debut at the Hall in 1928. The Hall has retained a close association with poets and poetry that continues to this day.
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