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Saturday, January 18, 2014

Today's Birthday: Cary Grant- wikipedia

Cary Grant

From Wikipedia, the free encyclopedia
Cary Grant
Grant, Cary (Suspicion) 01 Crisco edit.jpg
Cary Grant in 1941
Born Archibald Alexander Leach
January 18, 1904
Bristol, England
Died November 29, 1986 (aged 82)
Davenport, Iowa, U.S.
Cause of death
Cerebral hemorrhage
Resting place
Cremated[1]
Other names Archie Leach
Education Bishop Road Primary School
Fairfield Grammar School
Occupation Actor
Years active 1932–1966
Spouse(s) Virginia Cherrill (m. 1934; d. 1935)
Barbara Hutton (m. 1943; d. 1945)
Betsy Drake (m. 1949; d. 1962)
Dyan Cannon (m. 1965; d. 1968)
Barbara Harris (m. 1981–86)
Partner(s) Maureen Donaldson (1973–1977)[2]
Children Jennifer Grant (born 1966)[3]
Awards Academy Honorary Award (1970) For his unique mastery of the art of screen acting with the respect and affection of his colleagues.
Kennedy Center Honors (1981)
Cary Grant (born Archibald Alexander Leach; January 18, 1904 – November 29, 1986) was an English stage and Hollywood film actor who became an American citizen in 1942. Known for his transatlantic accent, debonair demeanor and "dashing good looks", Grant is considered one of classic Hollywood's definitive leading men.[4]

Grant was named the second Greatest Male Star of All Time (after Humphrey Bogart) by the American Film Institute. He was known for both comedic and dramatic roles; his best-known films include The Awful Truth (1937), Bringing Up Baby (1938), Gunga Din (1939), The Philadelphia Story (1940), His Girl Friday (1940), Arsenic and Old Lace (1944), Notorious (1946), The Bishop's Wife (1947), To Catch a Thief (1955), An Affair to Remember (1957), North by Northwest (1959), and Charade (1963).

Nominated twice for the Academy Award for Best Actor (Penny Serenade and None But the Lonely Heart) and five times for a Golden Globe Award for Best Actor, Grant was continually passed over. In 1970, he was presented an Honorary Oscar at the 42nd Academy Awards by Frank Sinatra "for his unique mastery of the art of screen acting with the respect and affection of his colleagues".[5][6]

Early life and career

Archibald Alexander Leach was born at 15 Hughenden Road, Horfield, Bristol, England, the only surviving child of Elsie Maria (née Kingdon) Leach (1877–1973) and Elias James Leach (1873–1935).[7][8] Young Archie Leach, whose mother had suffered clinical depression since the death of a previous child, had an unhappy upbringing, attending Bishop Road Primary School and, for just a few months, North Street Wesleyan School in Stokes Croft.[9] Elias Leach placed Archibald's mother in a mental institution and told the 9-year-old that she had gone away on a "long holiday" later declaring that she had died. Believing she was dead, Leach did not learn otherwise until he was 31 when his father confessed to the lie,[10] shortly before his own death, and told him that he could find her alive in a care facility.[11] When Leach was 10, his father remarried and started a new family that did not include young Archibald. Little is known about how he was cared for, and by whom.


Leach was expelled from the Fairfield Grammar School in Bristol in 1918. After joining the "Bob Pender Stage Troupe", Leach performed as a stilt walker and traveled with the group to the United States in 1920 at the age of 16 on the RMS Olympic, on a two-year tour of the country. He was processed at Ellis Island on July 28, 1920.[12]

When the troupe returned to Britain, he decided to stay in the U.S. and continue his stage career. During this time, he became a part of the vaudeville world and toured with Parker, Rand, and Leach. Still using his birth name, he performed on the stage at The Muny in St. Louis, Missouri, in such shows as Irene (1931), Music in May (1931), Nina Rosa (1931), Rio Rita (1931), Street Singer (1931), The Three Musketeers (1931), and Wonderful Night (1931). Leach's experience on stage as a stilt walker, acrobat, juggler, and mime taught him "phenomenal physical grace and exquisite comic timing" and the value of teamwork, skills which would benefit him in Hollywood.[11]
Leach became a naturalized United States citizen on June 26, 1942, at which time he also legally changed his name from "Archibald Alexander Leach" to "Cary Grant".[13]

Hollywood stardom

Grant, Rosalind Russell and Ralph Bellamy in a publicity photo for His Girl Friday
 
After appearing in several musicals on Broadway under the name Archie Leach,[14] Leach went to Hollywood in 1931.[11] When told to change his name, he proposed "Cary Lockwood", the name of the character he had played in the Broadway show Nikki, based upon the recent film The Last Flight. He signed with Paramount Pictures, where studio bosses decided that the name "Cary" was acceptable but that "Lockwood" was too similar to another actor's surname. Paramount gave their new actor a list of surnames to choose from, and he selected "Grant" because the initials C and G had already proved lucky for Clark Gable and Gary Cooper, two of Hollywood's biggest film stars.
Grant appeared as a leading man opposite Marlene Dietrich in Blonde Venus (1932), and his stardom was given a further boost by Mae West when she chose him for her leading man in two of her most successful films, She Done Him Wrong and I'm No Angel (both 1933).[15] I'm No Angel was a tremendous financial success and, along with She Done Him Wrong, which was nominated for an Academy Award for Best Picture, saved Paramount from bankruptcy. Paramount put Grant in a series of unsuccessful films until 1936, when he signed with Columbia Pictures. His first major comedy hit was when he was loaned to Hal Roach's studio for the 1937 Topper (which was distributed by MGM).
The Awful Truth (1937) was a pivotal film in Grant's career, establishing for him a screen persona as a sophisticated light comedy leading man. As Grant later wrote, "I pretended to be somebody I wanted to be and I finally became that person. Or he became me. Or we met at some point."[11] Grant is said to have based his characterization in The Awful Truth on the mannerisms and intonations of the film's director, Leo McCarey, whom he resembled physically. As writer/director Peter Bogdanovich noted, "After The Awful Truth, when it came to light comedy, there was Cary Grant and then everyone else was an also-ran."
Cary Grant in The Philadelphia Story
 
The Awful Truth began what The Atlantic later called "the most spectacular run ever for an actor in American pictures".[11] During the next four years, Grant appeared in several classic romantic comedies and screwball comedies, including Holiday (1938) and Bringing Up Baby (1938), both opposite Katharine Hepburn; The Philadelphia Story (1940) with Hepburn and James Stewart; His Girl Friday (1940) with Rosalind Russell; and My Favorite Wife (1940), which reunited him with Irene Dunne, his co-star in The Awful Truth. During this time, he also made the adventure films Gunga Din (1939) with Douglas Fairbanks, Jr. and Only Angels Have Wings (1939) with Jean Arthur and Rita Hayworth and dramas Penny Serenade (1941), also with Dunne, and Suspicion (1941), the first of Grant's four collaborations with Alfred Hitchcock.

Grant remained one of Hollywood's top box-office attractions for almost 30 years.[11] Howard Hawks said that Grant was "so far the best that there isn't anybody to be compared to him".[16] David Thomson called him "the best and most important actor in the history of the cinema".[11]

Grant was a favorite of Hitchcock, who called him "the only actor I ever loved in my whole life".[17] Besides Suspicion, Grant appeared in the Hitchcock classics Notorious (1946), To Catch a Thief (1955), and North by Northwest (1959). Biographer Patrick McGilligan wrote that in 1965 Hitchcock asked Grant to star in Torn Curtain (1966) only to learn that Grant had decided to retire after making one more film, Walk, Don't Run (1966); Paul Newman was cast instead, opposite Julie Andrews.[18] Producers Broccoli and Saltzman originally sought Cary Grant for the role of James Bond in Dr. No but discarded the idea as Grant would be committed to only one feature film and the producers decided to go after someone who could be part of a franchise.
With Ingrid Bergman in Hitchcock's Notorious
 
In the mid-1950s, Grant formed his own production company, Granart Productions, and produced a number of films distributed by Universal, such as Operation Petticoat (1959), Indiscreet (1958), That Touch of Mink (co-starring with Doris Day, 1962), and Father Goose (1964). In 1963, he appeared opposite Audrey Hepburn in Charade. His last feature film was Walk, Don't Run three years later, with Samantha Eggar and Jim Hutton.

Grant was the first actor to "go independent" by not renewing his studio contract, effectively leaving the studio system,[11] which almost completely controlled what an actor could or could not do. In this way, Grant was able to control every aspect of his career, at the risk of not working because no particular studio had an interest in his career long term. He decided which films he was going to appear in, often had personal choice of directors and co-stars, and at times even negotiated a share of the gross revenue, something uncommon at the time. Grant received more than $700,000 for his 10% of the gross for To Catch a Thief while Hitchcock received less than $50,000 for directing and producing it.[19]

 
Grant was nominated for two Academy Awards, for Penny Serenade (1941) and None But the Lonely Heart (1944), but never won a competitive Oscar; he received a special Academy Award for Lifetime Achievement in 1970. Accepting the Best Original Screenplay Oscar in 1965, Father Goose co-writer Peter Stone had quipped, "My thanks to Cary Grant, who keeps winning these things for other people." In 1981, Grant was accorded the Kennedy Center Honors.

Grant poked fun at himself with statements such as "Everyone wants to be Cary Grant—even I want to be Cary Grant",[20] and in ad-lib lines—such as in the film His Girl Friday, saying, "I never had so much fun since Archie Leach died". In Arsenic and Old Lace (1944), a gravestone is seen bearing the name Archie Leach. According to a famous story now believed to be apocryphal, after seeing a telegram from a magazine editor to his agent asking "How old Cary Grant?" Grant reportedly responded with "Old Cary Grant fine. How you?"[21][22]

Personal life

Second wife Barbara Hutton
 
Grant was married five times. He wed Virginia Cherrill on February 10, 1934. She divorced him on March 26, 1935, following charges that Grant had hit her. In 1942, he married Barbara Hutton, one of the wealthiest women in the world, and became a father figure to her son, Lance Reventlow. The couple was derisively nicknamed "Cash and Cary", although in an extensive prenuptial agreement Grant refused any financial settlement in the event of a divorce. After divorcing in 1945, they remained lifelong friends. Grant always bristled at the accusation that he married for money: "I may not have married for very sound reasons, but money was never one of them".[23][24]

Wife Betsy Drake in trailer of her film with Grant, Every Girl Should Be Married (1948)
 
On December 25, 1949, Grant married Betsy Drake. He appeared with her in two films. This would prove to be his longest marriage, ending on August 14, 1962. Drake introduced Grant to LSD, and in the early 1960s he related how treatment with the hallucinogenic drug—legal at the time—at a prestigious California clinic had finally brought him inner peace after yoga, hypnotism, and mysticism had proved ineffective.[25][26][27] Grant and Drake divorced in 1962.[24]
He eloped with Dyan Cannon on July 22, 1965, in Las Vegas. Their daughter, Jennifer Grant, was born on February 26, 1966.[3] He frequently called Jennifer his "best production".[28] Grant and Cannon divorced in March 1968.[29]

On April 11, 1981, Grant married Barbara Harris, a British hotel public-relations agent who was 47 years his junior. They renewed their vows on their fifth wedding anniversary. (Fifteen years after Grant's death, Harris married former Kansas Jayhawks All-American quarterback David Jaynes in 2001.)[30]
Some, including Hedda Hopper[31] and screenwriter Arthur Laurents, have said that Grant was bisexual.[32] Grant allegedly was involved with costume designer Orry-Kelly when he first moved to Manhattan,[33] and lived with actor Randolph Scott off and on for 12 years.[34] Richard Blackwell wrote that Grant and Scott were "deeply, madly in love".[35] Scotty Bowers alleged in his memoir Full Service, published in 2012,[36] that he was a lover of both Grant and Scott.[37] William McBrien, in his biography Cole Porter, says that Porter and Grant frequented the same upscale house of male prostitution in Harlem, run by Clint Moore and popular with celebrities.[38] All of these claims were published many years after Grant had died.

Barbara Harris, Grant's widow, has disputed that there was a relationship with Scott.[39] When Chevy Chase joked about Grant's being gay in a television interview, Grant sued him for slander; they settled out of court.[40] However, Grant's one-time girlfriend Maureen Donaldson wrote in her 1989 memoir, An Affair to Remember: My Life with Cary Grant, that Grant told her that his first two wives had accused him of being homosexual. In Chaplin's Girl, a biography of Virginia Cherrill (Grant's first wife), the writer Miranda Seymour acknowledged that Grant and Scott were only platonic friends.[41]
Former showgirl Lisa Medford claimed that Cary Grant wanted her to have his child, but she did not want children.[42] Grant's daughter Jennifer Grant denied that her father was gay in her 2011 memoir.[43] Jennifer's mother, Dyan Cannon, Grant's fourth wife, also denied that Grant was gay when she was promoting her memoir of Grant in 2012.[44] Betsy Drake, in an interview during the American Movie Classics Channel's documentary on Grant's life, was quoted as saying, "When we were married we were fucking like rabbits."[45]

Politics

Cary Grant in 1973
 
Grant did not think film stars should publicly make political declarations.[46] He described his politics and his reticence about them this way:
"I'm opposed to actors taking sides in public and spouting spontaneously about love, religion or politics. We aren't experts on these subjects. Personally I'm a mass of inconsistencies when it comes to politics. My opinions are constantly changing. That's why I don't ever take a public stand on issues."[47]

Throughout his life, Grant maintained personal friendships with colleagues of varying political stripes, and his few political activities seemed to be shaped by personal friendships. Repulsed by the human costs to many in Hollywood, Grant publicly condemned McCarthyism in 1953, and when his friend Charlie Chaplin was blacklisted, Grant insisted that the actor's artistic value outweighed political concerns.[47] He was also a friend of the Kennedy brothers and maintained close ties with the Mankiewicz family, particularly Robert Kennedy's press secretary Frank Mankiewicz, hosting one of Robert Kennedy's first political fundraisers at his home. He made one of his rare statements on public issues following the assassination of Robert F. Kennedy, calling for gun control.[48]
In 1976, after his retirement from films, Grant made his one overtly partisan appearance in introducing his friend Betty Ford, the First Lady of the United States, at the Republican National Convention.[46] Even in this he maintained some distance from partisanship, speaking of "your" party rather than "ours" in his remarks.[49]

Retirement and death

Cary Grant in 1949; he had the mole on his cheek removed the following year.
 
Cary Grant retired from the screen at 62 when his daughter Jennifer was born, in order to focus on bringing her up and to provide a sense of permanency and stability in her life. While bringing up his daughter, he archived artifacts of her childhood and adolescence in a bank-quality room-sized vault he had installed in the house. His daughter attributed this meticulous collection to the fact that artifacts of his own childhood had been destroyed during the Luftwaffe's bombing of Bristol in the Second World War (an event that also claimed the lives of his uncle, aunt, and cousin as well as the cousin's husband and grandson), and he may have wanted to prevent her from experiencing a similar loss.[50]

Although Grant had retired from the screen, he remained active.
In the late 1960s, he accepted a position on the board of directors at Fabergé. By all accounts this position was not honorary, as some had assumed; Grant regularly attended meetings and his mere appearance at a product launch would almost certainly guarantee its success. The position also permitted use of a private plane, which Grant could use to fly to see his daughter wherever her mother, Dyan Cannon, was working. He later joined the boards of Hollywood Park, the Academy of Magical Arts (The Magic Castle, Hollywood, California), Western Airlines (now Delta Air Lines), and MGM.[39]

He was a keen motoring enthusiast and, like many other Hollywood stars of the era, owned many notable cars. One of the first he owned was a 1929 Cadillac Cabriolet. His love of Cadillacs never waned and he later purchased a Cadillac Eldorado Biarritz. Other cars that he owned included an MG Magnette and a Sunbeam Alpine series one roadster.

Statue of Cary Grant in Millennium Square, Bristol
In the last few years of his life, Grant undertook tours of the United States in a one-man show, A Conversation with Cary Grant, in which he would show clips from his films and answer audience questions. Grant was preparing for a performance at the Adler Theatre in Davenport, Iowa, on the afternoon of November 29, 1986, when he sustained a cerebral hemorrhage (he had previously suffered a stroke in October 1984). His wife did not know what was going on and she went to a local pharmacy to get aspirin. He died at 11:22 p.m.[39] in St. Luke's Hospital at the age of 82. The bulk of his estate, worth millions of dollars, went to his fifth wife, Barbara Harris, and his daughter, Jennifer Grant.[51]

Legacy

In 2001, a statue of Grant was erected in Millennium Square, a regenerated area next to Bristol Harbour in his city of birth, Bristol.
In November 2005, Grant came in first in the "The 50 Greatest Movie Stars of All Time" list by Premiere magazine.[52] Richard Schickel, the film critic, said about Grant: "He's the best star actor there ever was in the movies."[53]

Broadway credits

Date Production Role
September 2, 1922 - April 28, 1923 Better Times Performer
November 30, 1927 - May 5, 1928 Golden Dawn Anzac
January 28 - March 30, 1929 Boom Boom Reggie Phipps
October 31, 1929 - February 15, 1930 A Wonderful Night Max Grunewald
September 29 - October 31, 1931 Nikki Cary Lockwood

Filmography

Year Film Role Notes
1932 This Is the Night Stephen With Lili Damita, Charles Ruggles, and Thelma Todd
Sinners in the Sun Ridgeway With Carole Lombard and Chester Morris
Singapore Sue First Sailor Musical Comedy short subject
Merrily We Go to Hell Charlie Baxter UK title: Merrily We Go to _____ With Sylvia Sidney and Fredric March
Devil and the Deep Lieutenant Jaeckel With Tallulah Bankhead and Gary Cooper
Blonde Venus Nick Townsend With Marlene Dietrich
Hot Saturday Romer Sheffield With Nancy Carroll and Edward Woods
Madame Butterfly Lieutenant B.F. Pinkerton With Sylvia Sidney and Charles Ruggles
1933 She Done Him Wrong Capt. Cummings With Mae West and Noah Beery, Sr.
The Woman Accused Jeffrey Baxter With Nancy Carroll
The Eagle and the Hawk Henry Crocker With Fredric March and Carole Lombard
Gambling Ship Ace Corbin With Jack La Rue and Glenda Farrell
I'm No Angel Jack Clayton With Mae West
Alice in Wonderland The Mock Turtle With W. C. Fields and Gary Cooper
1934 Thirty-Day Princess Porter Madison III With Sylvia Sidney and Edward Arnold
Born to Be Bad Malcolm Trevor With Loretta Young (Heavily censored by the Hayes Office)
Kiss and Make-Up Dr. Maurice Lamar With Helen Mack and the WAMPAS Baby Stars of 1934
Ladies Should Listen Julian De Lussac With Frances Drake and Edward Everett Horton
1935 Enter Madame Gerald Fitzgerald With top-billed Elissa Landi
Wings in the Dark Ken Gordon With top-billed Myrna Loy
The Last Outpost Michael Andrews With Claude Rains
Sylvia Scarlett Jimmy Monkley Directed by George Cukor With Katharine Hepburn
1936 Big Brown Eyes Det. Sgt. Danny Barr With Joan Bennett and Walter Pidgeon
Suzy Andre With Jean Harlow and Franchot Tone
The Amazing Quest of Ernest Bliss Ernest Bliss US title: Romance and Riches Alt title: The Amazing Adventure
Wedding Present Charlie With Joan Bennett
1937 When You're in Love Jimmy Hudson UK title: For You Alone With Grace Moore
Topper George Kerby With Constance Bennett
The Toast of New York Nicholas "Nick" Boyd With Edward Arnold and Jack Oakie
The Awful Truth Jerry Warriner Directed by Leo McCarey
With Irene Dunne and Ralph Bellamy
Introduced the "Cary Grant persona"
1938 Bringing up Baby Dr. David Huxley Directed by Howard Hawks
With Katharine Hepburn and Charles Ruggles
Holiday John "Johnny" Case Directed by George Cukor
With Katharine Hepburn
UK title: Free to Live
1939 Gunga Din Sgt. Archibald Cutter Directed by George Stevens
With Victor McLaglen and Douglas Fairbanks, Jr.
Only Angels Have Wings Geoff Carter Directed by Howard Hawks
With Jean Arthur, Thomas Mitchell and Rita Hayworth
In Name Only Alec Walker With Carole Lombard and Charles Coburn
1940 His Girl Friday Walter Burns Directed by Howard Hawks
Remake of The Front Page
With Rosalind Russell and Ralph Bellamy
My Favorite Wife Nick Co-written by Leo McCarey
Directed by Garson Kanin
With Irene Dunne and Gail Patrick
The Howards of Virginia Matt Howard UK title: The Tree of Liberty
With Martha Scott
The Philadelphia Story C.K. Dexter Haven With Katharine Hepburn and James Stewart
1941 Penny Serenade Roger Adams Nominated—Academy Award for Best Actor
Directed by George Stevens
With Irene Dunne and Edgar Buchanan
Suspicion Johnnie Directed by Alfred Hitchcock
With Joan Fontaine
1942 The Talk of the Town Leopold Dilg aka Joseph With Ronald Colman and Jean Arthur
Once Upon a Honeymoon Patrick "Pat" O'Toole Directed by Leo McCarey
With Ginger Rogers
1943 Mr. Lucky Joe Adams/Joe Bascopolous With Laraine Day and Charles Bickford
Destination Tokyo Capt. Cassidy With John Garfield and Dane Clark
1944 Once Upon a Time Jerry Flynn With Janet Blair
Arsenic and Old Lace Mortimer Brewster With Priscilla Lane and Peter Lorre
None But the Lonely Heart Ernie Mott Nominated—Academy Award for Best Actor Written and directed by Clifford Odets
With Ethel Barrymore
1946 Without Reservations Himself (cameo) With Claudette Colbert and John Wayne
Night and Day Cole Porter Directed by Michael Curtiz
Notorious T.R. Devlin Directed by Alfred Hitchcock
With Ingrid Bergman and Claude Rains
1947 The Bachelor and the Bobby-Soxer Dick UK title: Bachelor Knight With Myrna Loy and Shirley Temple
The Bishop's Wife Dudley With Loretta Young and David Niven
1948 Mr. Blandings Builds His Dream House Jim Blandings With Myrna Loy and Melvyn Douglas
Every Girl Should Be Married Dr. Madison W. Brown With Betsy Drake
1949 I Was a Male War Bride Capt. Henri Rochard UK title: You Can't Sleep Here
With Ann Sheridan
1950 Crisis Dr. Eugene Norland Ferguson With Jose Ferrer
1951 People Will Talk Dr. Noah Praetorius With Jeanne Crain
1952 Room for One More George "Poppy" Rose With Betsy Drake
Monkey Business Dr. Barnaby Fulton Directed by Howard Hawks
With Ginger Rogers and Marilyn Monroe
1953 Dream Wife Clemson Reade With Deborah Kerr and Walter Pidgeon
1955 To Catch a Thief John Robie Directed by Alfred Hitchcock
With Grace Kelly
1957 The Pride and the Passion Anthony With Frank Sinatra and Sophia Loren
An Affair to Remember Nickie Ferrante A same-script remake of Love Affair (1939 film), both directed by Leo McCarey With Deborah Kerr
Kiss Them for Me Cmdr. Andy Crewson Directed by Stanley Donen
With Jayne Mansfield and Suzy Parker
1958 Indiscreet Philip Adams Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Stanley Donen
With Ingrid Bergman
Houseboat Tom Winters With Sophia Loren
1959 North by Northwest Roger O. Thornhill Directed by Alfred Hitchcock With Eva Marie Saint, James Mason and Martin Landau
Famous scene of Grant being chased by a biplane
Operation Petticoat Lt. Cmdr. Matt T. Sherman Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
With Dina Merrill and Arthur O'Connell
1960 The Grass Is Greener Victor Rhyall, Earl Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy Directed by Stanley Donen
With Deborah Kerr, Robert Mitchum and Jean Simmons
1962 That Touch of Mink Philip Shayne Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Delbert Mann
With Doris Day and Gig Young
1963 Charade Peter Joshua / Alexander Dyle / Adam Canfield / Brian Cruikshank Nominated—BAFTA Award for Best Foreign Actor
Nominated—Golden Globe Award for Best Actor – Motion Picture Musical or Comedy
Directed by Stanley Donen
With Audrey Hepburn, Walter Matthau and James Coburn
1964 Father Goose Walter Christopher Eckland Directed by Ralph Nelson
With Leslie Caron and Trevor Howard
1966 Walk, Don't Run Sir William Rutland With Samantha Eggar Remake of The More the Merrier

Box Office Results For The Top 20 Cary Grant Movies

According to CogersonMovieScore.com [[54] Cary Grant Cogerson Movie Page] here is box office information for his Top 20 films.
  1. North by Northwest (1959) $14.74 million in 1959, $195.60 million in adjusted for inflation, #8 in 1959
  2. The Philadelphia Story (1940) $5.50 million in 1940/41, $155.80 million in adjusted for inflation, #4 in 1941
  3. Notorious (1946) $10.56 million in 1946, $240.10 million in adjusted for inflation, #8 in 1946
  4. Operation Petticoat (1959) $20.56 million in 1959/60, $271.90 million in adjusted for inflation, #4 in 1960
  5. That Touch of Mink (1962) $18.70 million in 1962, $198.00 million in adjusted for inflation, #5 in 1962
  6. The Bachelor and the Bobby-Soxer (1947) $12.10 million in 1947, $260.00 million in adjusted for inflation, #13 in 1947
  7. She Done Him Wrong (1933) $4.84 million in 1933, $167.00 million in adjusted for inflation
  8. The Bishop's Wife (1947) $6.60 million in 1947/48, $141.500 million in adjusted for inflation, #21 in 1948
  9. I'm No Angel(1933) $5.06 million in 1933, $174.90 million in adjusted for inflation
  10. Destination Tokyo (1943) $7.20 million in 1943, $190.80 million in adjusted for inflation, #13 in 1943
  11. The Awful Truth (1937) $4.25 million in 1937, $129.60 million in adjusted for inflation
  12. Mr. Lucky (1943) $7.04 million in 1943, $186.80 million in adjusted for inflation, #10 in 1943
  13. To Catch A Thief (1955) $9.90 million in 1955, $151.00 million in adjusted for inflation, #20 in 1955
  14. Charade (1963) $14.43 million in 1963/64, $133.60 million in adjusted for inflation, #4 in 1964
  15. I Was a Male War Bride (1949) $9.02 million in 1949, $167.00 million in adjusted for inflation, #3 in 1949
  16. Suspicion (1941) $4.18 million in 1941/42, $118.50 million in adjusted for inflation, #33 in 1942
  17. Night and Day (1946) $8.80 million in 1946, $199.50 million in adjusted for inflation, #17 in 1946
  18. Once Upon a Honeymoon (1942) $6.16 million in 1942, $168.50 million in adjusted for inflation, #10 in 1942
  19. My Favorite Wife (1940) $3.19 million in 1940, $136.70 million in adjusted for inflation
  20. Topper (1937) $4.50 million in 1937, $137.50 million in adjusted for inflation
  • Variables used to figure out box office totals: Domestic rentals(what studios got back),[55] box office gross (what studios got + what theaters owners got) year of release, ticket price of year of release and current ticket prices.


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