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Sunday, June 16, 2013

Central Park and Points of Contention..to a point

The screaming match between animal rights activists who want to end the horse drawn carriage business in the Park (or anywhere) and people who find it beautiful and romantic is still going on...I am not sure who is winning this one, but it looks like the animal rights activists in most countries have shown they will go to no ends to get their way ( and have even had some luck getting bullfighting stopped in some parts of Spain-- Barcelona has banned it but may change its mind back. But that is Spain and such an integral part of their culture that I suppose it will go on forever there...just like running with the bulls at Pamplona).

Another big battle has been shaping up between the super-funded Central Park Conservatory, which draws in tons and tons of money from rich people living around the Park to make sure the place is kept up despite budget cuts, and people who demand some of the Conservancy money fund be given to needy parks everywhere else in the City ( and of course, the parks in the poorer areas of New York are often very needy indeed).

It does cost a hell of a lot to keep up Central Park,with all its features and old trees which keep getting toppled in these huge storms...just tree clean up and fixing alone costs a bundle, believe me....

But back to things that are not in dispute (except for some disagreement about what will happen to the building/site of the Old Tavern on the Green restaurant...people do not care all that much really)--

Just better make sure the sports fields are kept up for all the softball games and soccer higher up in the Park, and taking care of the ponds and the Reservoir.

I have not heard anyone complain about portrait artists in the Park,  or the musicians, or Shakespeare in the Park...there is some flap about concerts in the Park sometimes but what do you expect in a place like New York ...


That's all for Central Park for the moment, next weekend --weather permitting--I will get further up in the Park and keep going until we get way up to the Conservatory Gardens and the Harlem Meer. This will take time--but hell, it is a big park.

Just a little more Park history to close--from Wikipedia of course ( we will get to the Conservancy website eventually too, even if that does raise some hackles)


1857–1900

Angel of the Waters, in Bethesda Fountain (sculpted 1873)
Central Park was not a part of the Commissioners' Plan of 1811; however, between 1821 and 1855, New York City nearly quadrupled in population. Since it was not part of the Commissioners' Plan of 1811, John Randel, Jr., surveyed the park and the only remaining surveying bolt from his survey is still visible. The bolt is in a rock just north of the Dairy and the 65th Street Transverse and south of Center Drive. As the city expanded, people were drawn to the few existing open spaces, mainly cemeteries, to get away from the noise and chaotic life in the city.[5]
New York City's need for a great public park was voiced by the poet and editor of the Evening Post (now the New York Post), William Cullen Bryant, and by the first American landscape architect, Andrew Jackson Downing, who began to publicize the city's need for a public park in 1844. A stylish place for open-air driving, similar to the Bois de Boulogne in Paris or London's Hyde Park, was felt to be needed by many influential New Yorkers, and, after an abortive attempt in 1850-51 to designate Jones's Wood, in 1853 the New York legislature settled upon a 700-acre (280 ha) area from 59th to 106th Streets for the creation of the park, at a cost of more than US$5 million for the land alone.[citation needed]
The state appointed a Central Park Commission to oversee the development of the park, and in 1857 the commission held a landscape design contest. Frederick Law Olmsted and Calvert Vaux developed what came to be known as the Greensward Plan, which was selected as the winning design.
According to Olmsted, the park was "of great importance as the first real Park made in this country—a democratic development of the highest significance…," a view probably inspired by his stay and various trips in Europe during 1850.[6] He visited several parks during these trips and was particularly impressed by Birkenhead Park and Derby Arboretum in England.
Several influences came together in the design. Landscaped cemeteries, such as Mount Auburn (Cambridge, Massachusetts) and Green-Wood (Brooklyn, New York) had set examples of idyllic, naturalistic landscapes. The most influential innovations in the Central Park design were the "separate circulation" systems for pedestrians, horseback riders, and pleasure vehicles. The "crosstown" commercial traffic was entirely concealed in sunken roadways, (today called "transverses"), screened with densely planted shrub belts so as to maintain a rustic ambiance.
The Greensward plan called for some 36 bridges, all designed by Vaux, ranging from rugged spans of Manhattan schist or granite, to lacy neo-gothic cast iron; no two are alike. The ensemble of the formal line of the Mall's doubled allées of elms culminating at Bethesda Terrace, whose centerpiece is the Bethesda Fountain, with a composed view beyond of lake and woodland, was at the heart of the larger design.
Execution of the Greensward Plan was the responsibility of a number of individuals, including Jacob Wrey Mould (architect), Ignaz Anton Pilat (master gardener), George Waring (engineer), and Andrew Haswell Green (politician), in addition to Olmsted and Vaux.
Before the construction of the park could start, the area had to be cleared of its inhabitants,[7] most of whom were quite poor and either free African Americans or residents of English or Irish origin. Most of them lived in small villages, such as Seneca Village, Harsenville, or the Piggery District; or in the school and convent at Mount St. Vincent's Academy. Around 1,600 residents occupying the area at the time, were evicted under the rule of eminent domain during 1857. Seneca Village and parts of the other communities were razed to make room for the park.
A map of Central Park from 1875
During the construction of the park, Olmsted fought constant battles with the park commissioners, many of whom were appointees of the city's Democratic machine[citation needed]. In 1860, he was forced out for the first of many times as Central Park's superintendent, and Andrew Haswell Green, the former president of New York City's board of education took over as the chairman of the commission.[citation needed] Despite the fact that he had relatively little experience, he still managed to accelerate the construction, as well as to finalize the negotiations for the purchase of an additional 65 acres (260,000 m2) at the north end of the park, between 106th and 110th Streets, which would be used as the "rugged" part of the park, its swampy northeast corner dredged, and reconstructed as the Harlem Meer.[citation needed]
Between 1860 and 1873, most of the major hurdles to construction were overcome, and the park was substantially completed. Construction combined the modern with the ageless: up-to-date steam-powered equipment and custom-designed wheeled tree moving machines augmented massive numbers of unskilled laborers wielding shovels. The work was extensively documented with technical drawings and photographs. During this period, more than 18,500 cubic yards (14,000 m³) of topsoil had been transported in from New Jersey, because the original soil was not fertile or substantial enough to sustain the various trees, shrubs, and plants called for by the Greensward Plan. When the park was officially completed in 1873, more than ten million cartloads of material had been transported out of the park, including soil and rocks. More than four million trees, shrubs and plants representing approximately 1,500 species were transplanted to the park.
More gunpowder was used to clear the area than was used at the battle of Gettysburg during the American Civil War.[8]
Sheep grazed on the Sheep Meadow from the 1860s until 1934, when they were moved upstate as it was feared they would be used for food by impoverished Depression-era New Yorkers.[9]


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