It must have seem kind of strange when the Music Hall opened right in the middle of the depression, when the country was teetering on the edge of total financial collapse and so many were desperately trying to get by anyway they could, such as former lawyers and bond salesemen selling apples on street corners...
But not everyone was broke, by a long shot. Just as people such as Warren Buffet and Bill Gates came out of the last financial downturn richer than ever ( as did a good number of billionaires-- the Walton family of Walmart certainly did OK, for instance--but you will have to read Forbes Magazine or something to find out exactly how the richest fared....but believe me, on the whole, not so badly...this was also true to a large extent during the Great Depression. Some rich people lost their shirts, but others simply cut back on expenses and found new opportunities with rival companies having gone bust etc.)
But back to Radio City Music Hall...here is an internet based history:
The 12-acre (4.9 ha) complex in midtown Manhattan known as Rockefeller Center was developed between 1929 and 1940 by John D. Rockefeller, Jr., on land leased from Columbia University. The Radio City Music Hall was designed by architect Edward Durell Stone and interior designer Donald Deskey in the Art Deco style.
Its originally planned name was International Music Hall.[3] The names "Radio City" and "Radio City Music Hall" derive from one of the complex's first tenants, the Radio Corporation of America. Radio City Music Hall was a project of Rockefeller; Samuel Roxy Rothafel, who previously opened the Roxy Theatre in 1927; and RCA chairman David Sarnoff. RCA had developed numerous studios for NBC at 30 Rockefeller Plaza, just to the south of the Music Hall, and the radio-TV complex that lent the Music Hall its name is still known as the NBC Radio City Studios.
The Music Hall opened to the public on December 27, 1932 with a lavish stage show featuring Ray Bolger, Doc Rockwell and Martha Graham. The opening was meant to be a return to high-class variety entertainment. The new format was not a success. The program was very long, and individual acts were lost in the cavernous hall. On January 11, 1933, the Music Hall converted to the then-familiar format of a feature film, with a spectacular stage show perfected by Rothafel at the Roxy Theatre in New York City. The first film was shown on the giant screen was Frank Capra's The Bitter Tea of General Yen, starring Barbara Stanwyck, and the Music Hall became the premiere showcase for films from the RKO-Radio Studio. The film-plus-stage-spectacle format continued at the Music Hall until 1979, with four complete performances presented every day.
By the 1970s, changes in film distribution made it difficult for Radio City to secure exclusive bookings of many films; furthermore, the theater preferred to show only G-rated movies, which further limited their film choices as the decade wore on.[4] Regular film showings at Radio City ended in 1979. Plans were made to convert the theater into office space, but a combination of preservation and commercial interests (including an irate commentary on Saturday Night Live's Weekend Update given by John Belushi) resulted in the preservation of Radio City and in 1980, after a renovation, it reopened to the public.
Radio City Music Hall is currently leased to and managed by The Madison Square Garden Company[5] Movie premieres and feature runs have occasionally taken place there such as the Harry Potter film series, but the focus of the theater throughout the year is now on concerts and live stage shows. The Radio City Christmas Spectacular continues to be an important annual event (see below). The Music Hall has presented most of the leading pop and rock performers of the last 30 years, as well as televised events including the Grammy Awards, the Tony Awards, the MTV Video Music Awards, and the NFL Draft.
Design
Radio City has 5,931 seats for spectators, and additional seating can be placed on the pit elevator during events that do not require that space bringing the seating capacity to over 6,000; it became the largest movie theater in the world at the time of its opening.Designed by Edward Durell Stone, the interior of the theater with its austere Art Deco lines represented a break with the traditional ornate rococo ornament associated with movie palaces at the time. The radiating arches of the proscenium united the large auditorium, allowing a sense of intimacy as well as grandeur. The interior decor was created by designer Donald Deskey. Deskey's geometric Art Deco designs incorporate glass, aluminum, chrome, and leather in the ornament for the theater's wall coverings, carpet, light fixtures, and furniture. His work borrowed heavily from the European Modern aesthetic style, of which he was the foremost exponent in the United States.
The Great Stage, designed by Peter Clark, measures 66.5 by 144 ft (20.3 by 44 m), and resembles a setting sun.[6] Its system of elevators was so advanced that the U.S. Navy incorporated identical hydraulics in constructing World War II aircraft carriers; according to Radio City lore, during the war, government agents guarded the basement to assure the Navy's technological advantage.[7] This elevator system was also designed by Peter Clark, and was built by Otis Elevators.
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