Why not, since everyone in the world now struggles to learn English and follow American culture all the time?
Herbert Groenemeyer is a megastar in Germany but few Americans have ever heard of him.
This is the story from the Chicago Sun Times
Herbert Groenemeyer hopes debut North American tour garners new following
By Jeff Elbel
For Sun-Times Media
September 19, 2013 9:34PM
A megastar in Germany, singer-musician Herbert Groenemeyer is in the midst of his debut North American tour.
Herbert
Gronemeyer
Gronemeyer
When: 8 p.m. Sept. 22
Where: Lincoln Hall, 2424 N. Lincoln
Tickets: $35–$100 (21+)
Info (773) 525-2501;
lincolnhallchicago.com
lincolnhallchicago.com
With his rich, booming
voice, pop singer Herbert Gronemeyer has been introduced in the United
States as “the German Bruce Springsteen.” On home turf, Gronemeyer needs
no such comparison. With a career spanning 35 years and 14 albums, he
is the most successful musician in his homeland with over eighteen
million albums sold. Still, he doesn’t mind the analogy.
“I’m quite honored by this
comparison,” says Gronemeyer. “Musically, we are quite different. Maybe
the length of the career and the length of our concerts are similar. As
far as I know Bruce Springsteen, he sings about the needs of what I
think you call blue-collar people. I come from the mining town Bochum,
so that’s my background. I actually sing his song ‘I’m on Fire’ in my
concerts.”
Gronemeyer is on his first North
American tour, which stops at Lincoln Hall on Sunday. Since he fills
soccer stadiums in Germany, these club dates return the 57-year old
singer to an environment he hasn’t experienced back home in ages. “The
funny thing is, big concerts are much easier to play and less musical
than small ones,” says Gronemeyer. “When you play an arena, you have to
play more like an elephant. You pump it out. In small clubs, the music
is more detailed.”
Gronemeyer and his band are eager
to meet intimate crowds possessing limited knowledge of their work. “You
have to convince them on that night,” he says. “That’s really exciting.
We invited them, and we have to prove that we are good hosts. To have
the opportunity to play in America is a dream come true for all of us.”
Gronemeyer’s English-language
album “I Walk” (2012) includes fresh material alongside translated
versions of older favorites. Careful effort was made when bringing songs
into the new language. “We tried to keep the meaning, but went off the
literal translation,” he says.
“Mensch,” originally released as a
German-language song in 2002, is Gronemeyer’s biggest hit. Updating the
song presented surprising challenges, beginning with the title itself.
“In New York, they sometimes say, ‘He’s a real mensch,’ meaning he’s a
decent human being,” says Gronemeyer. “It’s a very strong German word,
full of sentiment. It doesn’t translate so well. That’s why I also
called the song ‘Mensch’ in English.”
The deeply personal song followed
the loss of Gronemeyer’s wife and brother. “I tried to write a positive
song about life when I had this catastrophe,” he says. “Maybe not so
early, but we all face loss. If we realize that, it makes life more
precious. People helped me through dark days. With your friends, you’re
well sheltered. That’s what I originally tried to express. In that
sense, the song hasn’t changed.”
Although film buffs often
recognize him as Lieutenant Werner from the 1981 submarine thriller “Das
Boot,” Gronemeyer also has appeared on smaller screens recently. PBS
aired his concert special “Gronemeyer: I Walk Live” throughout June. A
DVD is now available, including Gronemeyer’s duet during “Mensch” with
Bono. The pair first worked together during 2005’s “Make Poverty
History” campaign. Gronemeyer believes that music and politics don’t
mix, in stark contrast to Bono’s methods. “He always makes fun of that,”
says Gronemeyer with a laugh. “But I think art should always scare
politicians.”
Jeff Elbel is a Sun-Times free- lance writer. Email: elbel.jeff@gmail.com
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