TRAVALANCHE
Being a web log for the observations of actor, author, cartoonist, comedian, critic, director, humorist, journalist, master of ceremonies, performance artist, playwright, producer, publicist, public speaker, songwriter, and variety booker Trav S.D.
On My Distant Cousin Jean Arthur
Today is the birthday of Jean Arthur (Gladys Georgianna Greene, 1900-1991). It was only this week that I learned that I am distantly related to her! We are both descended from the early Virginia colonist Thomas Swann (1616-1680). He is my (12th) great grandfather. She is the first movie star I have discovered a family relation to. The second and only other one so far, believe it or not, is Clint Eastwood.
I first knew of Arthur from one of her least characteristic roles, her last one, in George Stevens’ 1953 Shane, my father’s favorite movie. Impressively she plays the love interest in that film at age 53, and is presented as a plain, lonely frontier wife, playing against audience associations with her as cosmopolitan and glamorous. She always had a girl-next-door quality, which ultimately makes for that intriguing and rare mix, at once appealingly familiar, and yet also sort of knowing and sophisticated. She radiated an inner intelligence that combined with her beauty to make that possible.
Originally from upstate New York, she initially broke into show business as a model. This was a common stepping stone to films in the silent days. Her first film was Cameo Kirby (1923). She appeared in over four dozen silent features throughout the 20s, but her greatest stardom was to come in the sound era. She was one of the 1929 WAMPAS Baby Stars and starred in the early talkie hits The Canary Murder Case (1929) and The Mysterious Dr. Fu Manchu (1929) among others before taking a couple of years off in the early 30s to star on Broadway, acquiring badly needed technique, seasoning and confidence.
She returned to become one of the biggest stars of the mid to late 30’s, starring in three Frank Capra classic, Mr. Deeds Goes to Town (1936), You Can’t Take It With You (1938), and Mr. Smith Goes to Washington (1939); the hilarious Preston Sturges (screenplay) Easy Living (1937); Howard Hawks’ Only Angels Have Wings (1939); and George Stevens’ The Talk of the Town (1942). In 1944 she retired for the first of several times, returning for Billy Wilder’s A Foreign Affair (1948),Shane, and several stage productions and television roles, finally retiring for good in 1975. An extremely private person with crippling stage fright, performing had always been a challenge for her.
To learn more about early film history, please check out my new book: Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Media, also available from amazon.com etc etc etc. To learn about vaudeville, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.
I first knew of Arthur from one of her least characteristic roles, her last one, in George Stevens’ 1953 Shane, my father’s favorite movie. Impressively she plays the love interest in that film at age 53, and is presented as a plain, lonely frontier wife, playing against audience associations with her as cosmopolitan and glamorous. She always had a girl-next-door quality, which ultimately makes for that intriguing and rare mix, at once appealingly familiar, and yet also sort of knowing and sophisticated. She radiated an inner intelligence that combined with her beauty to make that possible.
Originally from upstate New York, she initially broke into show business as a model. This was a common stepping stone to films in the silent days. Her first film was Cameo Kirby (1923). She appeared in over four dozen silent features throughout the 20s, but her greatest stardom was to come in the sound era. She was one of the 1929 WAMPAS Baby Stars and starred in the early talkie hits The Canary Murder Case (1929) and The Mysterious Dr. Fu Manchu (1929) among others before taking a couple of years off in the early 30s to star on Broadway, acquiring badly needed technique, seasoning and confidence.
She returned to become one of the biggest stars of the mid to late 30’s, starring in three Frank Capra classic, Mr. Deeds Goes to Town (1936), You Can’t Take It With You (1938), and Mr. Smith Goes to Washington (1939); the hilarious Preston Sturges (screenplay) Easy Living (1937); Howard Hawks’ Only Angels Have Wings (1939); and George Stevens’ The Talk of the Town (1942). In 1944 she retired for the first of several times, returning for Billy Wilder’s A Foreign Affair (1948),Shane, and several stage productions and television roles, finally retiring for good in 1975. An extremely private person with crippling stage fright, performing had always been a challenge for her.
To learn more about early film history, please check out my new book: Chain of Fools: Silent Comedy and Its Legacies from Nickelodeons to Youtube, just released by Bear Manor Media, also available from amazon.com etc etc etc. To learn about vaudeville, consult No Applause, Just Throw Money: The Book That Made Vaudeville Famous, available at Amazon, Barnes and Noble, and wherever nutty books are sold.

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