As a photojournalist for the New York Times, Kirsten
Elstner recalls musing with colleagues about how interesting it would be
to put cameras in the hands of the people they were traveling the world
to photograph, and let them tell their own stories. For the past
decade, she has been doing just that, along with teams of National
Geographic photographers. Watch a video of Photo Camp Kenya, above.
National Geographic Photo Camp, a melding of the minds of Vision Workshops,
a non-profit founded by Elstner, and the National Geographic Society,
empowers youth in underserved areas of the world to find their voice
through photography. Since the first Photo Camp in 2004, workshops have
been led in such diverse places as Haiti, Maine, Crimea, and Doha, to name a few.
In February of 2014, Elstner, in partnership with Internews,
put together a Photo Camp of a different kind. Instead of teaching
children and teens how to tell a story with single images of their
surroundings, photographers Lynn Johnson, Matt Moyer and Amy Toensing
traveled to Kenya to teach a group of accomplished journalists how to
dive into one story and develop it visually—in five days.
I recently spoke with Matt Moyer along with his partner in life and visual storytelling, Amy Toensing, about their experience:
Alexa Keefe: What made this different from other Photo Camps you have been part of? Amy Toensing: We had never worked with professional
journalists before. For the most part, everybody was really raw with
photography but their sense of story was very good. That was really
exciting because we knew they were going to have that journalistic
sense. The only thing we were nervous about is that sometimes if you are
trained as a writer it’s really hard to divest yourself of that. It
really is a different part of your brain. It ended up being just
incredible. They know what it is like to be working and chewing on a
story, which can be a real roadblock for beginners. Matt Moyer: The camp was exceedingly
ambitious—having each individual working on a specific story is a really
heavy lift. When we started out I wasn’t sure that each individual was
going to a have a complete story, but in the end everyone did. The
work produced stands on it’s own as compelling visual storytelling. And
that’s inspiring and really rewarding. Photo
Camp student Monicah Njeri Mwangi tells the story of 25 year-old Edna
Mogiti and her family in southwestern Kenya. Edna has been confined to a
wheel chair after she suffered polio at the age of one making her both
physically and mentally disabled. Her parents died of HIV complications
when she was only five leaving her under the care of her grandparents. Photograph by Monicah Njeri Mwangi
Launch Gallery
82
year-old David Ombasa is Edna Mogiti’s grandfather. Things changed for
worse when his wife, who helped a lot in caring for Edna, died 8 years
ago. Apart from Edna and a 15 year-old boy who is still in school,
David’s other grandchildren have opted out of the home to look for
opportunities. Photograph by Monicah Njeri Mwangi
Launch Gallery
Alexa: What did you as professional photographers bring to this group of accomplished journalists? Amy: In order to get into advanced storytelling,
you need to know the craft. We got deep into visual devices and how you
expose something or choose certain things is going to give a different
feeling to your images. In this new age of photography, you can pick up a
camera and never know aperture and shutter speed. But if you are
really going to do this, you need to know that. We were trying to teach
them that and getting them to be thinking about their composition and
layering. Matt: What we brought to the table was really
pushing them to think critically about the image. A lot of them had
taken pictures before but simply as visual notes for their writing. For
example, one woman went out and the first day there were pictures of
signs, there were pictures of paperwork, pictures of very
detail-oriented things. By the end, she had come to understand that to
communicate through photography is an entirely different language.
There is a whole toolbox that you use of subtle cues that help you to
tell the story. By the end, that was what she was doing. Aging
and sickly, David cannot possibly feed himself and Edna forcing him to
rely on neighbors and well wishers for a living. Among them is 38
year-old Rose Kinyanya who has made it her role to bathe Edna every
morning and cook for the family on a daily basis. Photograph by Monicah Njeri Mwangi
Launch Gallery
David
peruses through an photo album including photographs of his late
children. David lost all four of his children, two of them from HIV
complications. “My daughters died when they were very young but my two
sons and their wives passed away after getting that bad disease.” Photograph by Monicah Njeri Mwangi
Launch Gallery
Alexa: As National Geographic photographers, how do
you feel what you do fits into the Photo Camp mission? How do you see
those things intersecting? Amy: My mission is to inform people in the visual
medium—a photograph speaks in a powerful, universal language and a lot
of mass understanding and connection can happen just from looking at a
single image. The visual language dominates our world more and more so
it’s essential that everyone—even a non-photographer—becomes visually
literate. It’s very rewarding for me to teach these things and open
people’s minds to how powerful visual storytelling can be. It’s fun to
get people thinking about it. Matt: The dedication that has gone into a career to
be able to do what we do professionally—it’s a tough industry—our
passion and belief in the power of the image is pretty ingrained in us.
Photography allows you to explore the world, but it also allows you to
take a journey within. We already have that passion and belief just
simply because it’s what we do, it’s what we love to do. Being able to
share that and see that light go on inside of them is an incredibly
rewarding and profound thing. And it’s also very selfish, because you
do something for as long as we have, it never hurts to have a little
extra inspiration coming from others to rekindle the fire. And that
happens to me on Photo Camps. David and Edna under a tree in the yard of their home where Edna spends most of her time. Photograph by Monicah Njeri Mwangi
Launch Gallery
Alexa: What came out of this one for you in that regard? Matt: Being really impressed by how in-depth they
got, how connected they were to their subjects. This is what I try to do
whenever I am shooting and it is inspiring to see them do it too. Being
around such talented and devoted journalists makes me energized about
the impact our work can have. It inspires me to keep telling important
stories. Amy: I was really inspired by how open and
vulnerable they were, and how ready to learn something new they were
because these guys are all established professionals, and it’s an
important reminder that we all need to grow until we are dead. People
can get stuck in their ways. It was inspiring to see how game they were.
It was really cool. Edna is photographed in her room. Photograph by Monicah Njeri Mwangi
Launch Gallery
Edna
and her caretaker Rose Kinyanya share a moment together. “Though I am
given some little money at the end of the month, this is my way of
giving back,” Kinyana says referring to the 2,000 Kenyan shillings she
gets every month. “Without love, commitment and God’s grace, one cannot
do this kind of work.” Photograph by Monicah Njeri Mwangi
Launch Gallery
The 2014 Photo Camp Kenya was done in partnership with Internews, whose mission is to empower local media worldwide. Past Photo Camp projects with Internews include camps in Pakistan,Crimea, and Washington D.C. Learn more about Photo Camp here.
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