Carroll Baker
From Wikipedia, the free encyclopedia
This article is about the American actress. For the Canadian country music performer, see Carroll Baker (singer).
Carroll Baker | |
---|---|
Baker as Jean Harlow in Harlow (1965)
|
|
Born | May 28, 1931 Johnstown, Pennsylvania, U.S. |
Occupation | Actress |
Years active | 1953–2003 |
Spouse(s) | Louie Ritter (m. 1953–53) Jack Garfein (m. 1955–69) 2 children Donald Burton (m. 1978–2007) (his death) |
Children | Blanche Baker (b. 1956) Herschel Garfein (b. 1958) |
A native of Pennsylvania, Baker moved to New York City in her twenties where she studied acting with Lee Strasberg at the Actors Studio. She initially began performing on Broadway and would go on to a leading role in Elia Kazan's wildly controversial film Baby Doll (1956), which gave Baker instant notoriety and earned her an Oscar nomination and a Golden Globe.
Other notable early roles included Giant (1956) alongside Elizabeth Taylor, Rock Hudson, and James Dean, and But Not for Me (1959) with Clark Gable, as well westerns such as The Big Country (1958), How the West Was Won (1962), and Cheyenne Autumn (1964). In the late 1960s, after a protracted legal battle with Paramount Pictures following her performance in Harlow (1965), Baker moved to Italy and starred in a multitude of horror and giallo films, including two directed by Umberto Lenzi, Paranoia (1969) and Il coltello di ghiaccio (1972). She returned to American cinema with Andy Warhol's Bad (1977), and later had supporting roles in the '90s films Kindergarten Cop (1990) and David Fincher's The Game (1997), before retiring in 2002.
Contents
Early life
Baker was born and raised in Johnstown, Pennsylvania, in a Roman Catholic family, the daughter of Virginia (née Duffy) and William Watson Baker, who was a traveling salesman.[1] Baker's parents separated when she was eight years old, and she moved with her mother and younger sister, Virginia, to Turtle Creek, Pennsylvania.[2] She is of Polish descent.[3]Baker attended high school in Greensburg, and then moved with her family to St. Petersburg, Florida, where she attended St. Pete Junior College.[2] After spending a year in college, she began working as a magician's assistant and joined a dance company.[2] In 1951, Baker moved to New York City and studied acting under Lee Strasberg, eventually becoming part of the famed Actors Studio,[1] where she was an acquaintance of Marilyn Monroe and became a close friend of James Dean.[4][5]
Career
Early career (1953–65)
Baker began her film career in 1953, with a small part in Easy to Love. After appearing in television commercials, she took a role in the Broadway production of All Summer Long. That appearance brought her to the attention of director Elia Kazan, who cast Baker as the title character in his controversial 1956 Baby Doll, a role initially assigned to Marilyn Monroe.[1] Her Tennessee Williams-scripted role as a Mississippi teenage bride to a failed middle-aged cotton gin owner brought Baker instant fame as well as a certain level of notoriety. Baby Doll would remain the film for which she is best remembered, and she was nominated for an Academy Award for Best Actress for her performance. Prior to Baby Doll's filming, she appeared in the supporting role of Luz Benedict II in Giant, opposite Elizabeth Taylor, Rock Hudson, and James Dean. According to Baker, in addition to Baby Doll, she had been offered numerous leading parts in feature films but chose to debut in a supporting role in Giant because she was "insecure" and "wanted to start out a little less 'profile'".[5]Baker went on to work steadily in films throughout the late fifties and early sixties, appearing in a variety of genres: romances, such as The Miracle co-starring a young Roger Moore and But Not for Me (both 1959); westerns, including The Big Country (1958) and a lead role in the epic How the West Was Won (1962); and steamy melodramas, including the controversial independent film Something Wild (1961), directed by her then-husband Jack Garfein, in which she plays a rape victim; and Station Six-Sahara (1962). She portrayed Gwen Harold in Bridge to the Sun, a 1961 production by MGM based on the 1957 best-selling autobiography of a Tennessee-born woman who married a Japanese diplomat (portrayed by James Shigeta) and became one of the few Americans to live in Japan during World War II. While only a modest success at the box office, the film was well received by critics and was America's entry at the Venice International Film Festival. Baker was also chosen by MGM for the lead in Cat on a Hot Tin Roof, but her contract with Warner Brothers prevented her from accepting the role, which ultimately went to Elizabeth Taylor.[4]
While Baker was on location in Africa for the 1965 movie Mister Moses, a story now considered apocryphal had it that a Maasai chief offered 150 cows, 200 goats, sheep, and $750 for her hand in marriage.[citation needed] She subsequently appeared with Maasai warriors on the cover of Life's 1964 issue. While filming Mister Moses, notorious false rumors spread that she and co-star Robert Mitchum were having an affair, though Baker confirmed that Shirley MacLaine regularly visited him on the set of the film.[4] In addition to film acting, Baker also found time to appear again on Broadway, starring in the 1962 production of Garson Kanin's Come on Strong.
Baker's portrayal of a Jean Harlow-type movie star in the 1964 hit The Carpetbaggers brought her a second wave of notoriety. The film was the top moneymaker of that year, with domestic box-office receipts of $13,000,000[6] and marked the beginning of a tumultuous relationship with the film's producer, Joseph E. Levine. Based on her Carpetbaggers performance, Levine began to develop Baker as a movie sex symbol, casting her in the title roles of two 1965 potboilers, Sylvia and Harlow. Despite much pre-publicity, the latter film was not a success, and relations between Baker and Levine soured.
European career and theater (1965–79)
Following her role in Harlow, a protracted legal battle with Paramount Pictures, as well as a divorce from her second husband, Jack Garfein, led Baker to move to Europe to pursue a career there after what she described as being "blackballed in Hollywood".[4] Eventually settling in Italy, Baker became fluent in Italian[2] and would spend the next several years starring in hard-edged giallo thrillers and horror films, including Her Harem (1967), The Sweet Body of Deborah (1968), and The Devil Has Seven Faces (1971). Baker also starred in So Sweet... So Perverse (1969), Paranoia (1969), A Quiet Place to Kill (1970), and Il coltello di ghiaccio (1972), all horror films directed by Umberto Lenzi. Baker became a favorite of Lenzi, with her most notable role being in the aforementioned Paranoia, where she played a wealthy widow, tormented and exploited by two siblings. She followed her roles in Lenzi's films with a leading role in Corrado Farina's Baba Yaga (1973) as the titular witch, alongside Isabelle De Funès and George Eastman. In those years, film locations would take her all around the world, including Spain, Germany, the United Kingdom, and Mexico.A leading role in the Andy Warhol-produced Bad (1977) marked her first American production of the decade, starring as a beauty salon owner who provides hitmen with jobs. She followed Bad with a part in The Sky Is Falling (1979) with Dennis Hopper, playing a washed-up actress living among expatriates in a Spanish village. The seventies also saw a return to the stage for Baker, where she appeared in British theatre productions of Bell, Book, and Candle; Rain, Lucy Crown, and Motive. In 1978, while touring England and Ireland in productions of Motive, Baker met her third husband, stage actor Donald Burton.[2]
Later career (1980–2002)
By the eighties, Baker had largely become a character actor. She starred in the 1980 Walt Disney-produced horror film, The Watcher in the Woods, alongside Bette Davis and played the mother of Dorothy Stratten in Star 80 (1983). She also had a starring role as Jack Nicholson's wife in Ironweed (1987), along with Meryl Streep.In 1990, she played a villainess in the Arnold Schwarzenegger film Kindergarten Cop, which she filmed in Oregon, and later appeared in a supporting role alongside Michael Douglas in David Fincher's acclaimed 1997 thriller The Game. Her film and television work continued sporadically through the nineties, and she acted in many made-for-television movies, including the true crime story Judgment Day: The John List Story (1993), and Dalva (1996) with Farrah Fawcett.
The 2006 DVD release of Baby Doll includes a documentary featuring Baker reflecting on the film's impact on her career. Baker has also been featured in documentaries about several of her co-stars, including Clark Gable, Roger Moore, Sal Mineo, and James Dean, including the 1975 James Dean: The First American Teenager, and a 1985 BBC Radio 2 tribute marking the 30th anniversary of the actor's death. She also appeared in the documentary Cinerama Adventure.
Baker has a star on the Hollywood Walk of Fame at 1725 Vine Street, which was erected on February 8, 1960. In 2001, a Golden Palm Star on the Palm Springs, California, Walk of Stars was also dedicated to her.[7] Baker formally retired from acting in 2002, with a career spanning 50 years, and more than 80 roles in film, television, and theater.
Writing
In 1983, Baker published an autobiography entitled Baby Doll: An Autobiography, detailing her life and career as an actress and revealing the issues with Warner Bros. Pictures that led her to move to Europe in the 1970s and pursue a career in Italian films.[8] The book was well received. She later wrote two other books, To Africa with Love, detailing her time spent in Africa, and a novel entitled A Roman Tale. Her memories of James Dean at the Actors Studio and later in Giant were recalled on BBC Radio 2 in 1982 when she guested on You're Tearing Me Apart, Terence Pettigrew's documentary which commemmorated the 25th anniversary of Dean's death in a car accident in 1955. Also on the programme were singer-actor Adam Faith and the screenwriter Ray Connolly.Personal life
Baker has been married three times. Her first marriage, to furrier Louie Ritter, began and ended in 1953 before she enrolled in the Actors Studio. Her second was to director Jack Garfein, a Holocaust survivor she met at the Studio and for whom she converted to Judaism (having been raised a Catholic).[9] They had one daughter, Blanche Baker, born in 1956, and a son, Herschel Garfein, born in 1958. Garfein and Baker divorced in 1969.Baker married her third husband, British theater actor Donald Burton, on March 10, 1978,[10] and resided in Hampstead, London, in the 1980s.[2] The couple remained together until Burton's death from emphysema at their home in Cathedral City, California, on December 8, 2007.[10]
Filmography
Features
Film | |||
---|---|---|---|
Year | Film | Role | Notes |
1953 | Easy to Love | Clarice | |
1956 | Giant | Luz Benedict II | |
Baby Doll | Baby Doll Meighan | Won - Golden Globe for Most Promising Newcomer (female)* *shared with Jayne Mansfield and Natalie Wood Nominated - Academy Award for Best Actress Nominated - Golden Globe Award for Best Actress – Motion Picture Drama Nominated - BAFTA for Best Foreign Actress |
|
1958 | The Big Country | Patricia Terrill | |
1959 | But Not for Me | Ellie Brown/Borden | |
The Miracle | Teresa | ||
1961 | Bridge to the Sun | Gwen Terasaki | |
Something Wild | Mary Ann Robinson | ||
1962 | How the West Was Won | Eve Prescott | |
Station Six-Sahara | Catherine | ||
1964 | The Carpetbaggers | Rina Marlowe Cord | Golden Laurel — Dramatic Performance, Female (2nd place) |
Cheyenne Autumn | Deborah Wright | ||
1965 | Sylvia | Sylvia: West (Karoki, Kay, Carlyle) | |
The Greatest Story Ever Told | Veronica | ||
Mister Moses | Julie Anderson | ||
Harlow | Jean Harlow | ||
1967 | Her Harem | Margherita | |
Jack of Diamonds | Herself | ||
1968 | The Sweet Body of Deborah | Deborah | |
1969 | Paranoia | Kathryn West | also known as: Orgasmo |
So Sweet... So Perverse | Nicole Perrier | ||
1970 | A Quiet Place to Kill | Helen | also known as: Paranoia |
1971 | The Fourth Mrs. Anderson | Julie Spencer/Lillian Martin | also known as: Death at the Deep End of the Swimming Pool |
Captain Apache | Maude | also known as: Deathwork | |
The Devil Has Seven Faces | Julie Harrison/Mary Harrison | ||
1972 | Knife of Ice | Martha Caldwell | also known as: Silent Horror |
1973 | Baba Yaga | Baba Yaga | also known as: Baba Yaga, Devil Witch, and Kiss Me, Kill Me |
1974 | The Flower with the Deadly Sting | Evelyn | |
The Body | Madeleine | ||
1975 | Private Lessons | Laura Formenti | |
At Last, at Last | Lucia | ||
1976 | As of Tomorrow | Polly Pott | |
My Father's Wife | Laura | ||
Bait | Carol | ||
1977 | Andy Warhol's Bad | Hazel Aiken | also known as: Bad |
1978 | Cyclone | Sheila | |
1979 | The World Is Full of Married Men | Linda Cooper | |
The Sky Is Falling | Treasure | ||
1980 | The Watcher in the Woods | Helen Curtis | |
1983 | Star 80 | Dorothy's Mother | |
Red Monarch | Brown | ||
1984 | The Secret Diary of Sigmund Freud | Mama Freud | |
1985 | Hitler's SS: Portrait in Evil | Gerda Hoffman | TV movie |
What Mad Pursuit? | Louise Steinhauser | TV movie | |
1986 | Native Son | Mrs. Dalton | |
1987 | On Fire | Maureen | TV movie |
Ironweed | Annie Phelan | ||
1990 | Kindergarten Cop | Eleanor Crisp | |
1991 | Blonde Fist | Lovelle Summers | |
1992 | Gipsy Angel | ||
Jackpot | Madame | also known as: Cyber Eden | |
1993 | Judgment Day: The John List Story | Alma List | TV movie |
Men Don't Tell | Ruth | TV movie | |
A Kiss to Die For | Mrs. Graham | TV movie | |
1995 | In the Flesh | Elaine Mitchelson | |
1996 | Dalva | Naomi | TV movie |
Witness Run | Martha Shepard | TV movie | |
Just Your Luck | Momie | ||
1997 | The Game | Ilsa | |
Skeletons | Nancy Norton | TV movie | |
Heart Full of Rain | Edith Pearl Dockett | TV movie | |
North Shore Fish | Arlyne | TV movie | |
1998 | Nowhere to Go | Nana | |
2000 | Another Woman's Husband | Laurel's Mom | TV movie |
2002 | Rag and Bone | Sister Marie, Tony's Aunt | TV movie |
Cinerama Adventure | Herself | documentary |
Television
Television | |||
---|---|---|---|
Year | Series | Role | Notes |
1952 | Monodrama Theater | Clarice | late-night show on DuMont Television Network |
1954 | The Web | Episode: "The Treadmill" | |
1955 | Danger | Episode: "Season for Murder" | |
1963 | Armchair Theatre | Lena Roland | Episode: "The Paradise Suite" |
1970 | W. Somerset Maugham | Sadie Thompson | Episode: "Rain" |
1975 | The Wide World of Mystery | Sandy Marshall | Episode: "The Next Victim" |
1984 | Sharing Time | Fran | Episode: "Oceans Apart" |
1990 | Grand | Viva | Episodes: "The Well", "Wolf Boy", "The Mother Load" |
1991 | Tales from the Crypt | Mother Paloma | Episode: "The Trap" |
P.S. I Luv U | Victoria | Episode: "The Honeymooners" | |
1992 | Davis Rules | Episode: "Everbody Comes to Nick's" | |
1993 | Murder, She Wrote | Sibella Stone | Episode: "Love's Deadly Desire" |
L.A. Law | Rae Morrison | Episodes: "How Much Is That Bentley in the Window", "Leap of Faith", "Book of Renovation, Chapter 1" | |
1995 | Chicago Hope | Sylvie Tannen | Episode: "Informed Consent" |
1999 | Roswell | Grandma Claudia | Episode: "Leaving Normal" |
2003 | The Lyon's Den | Jack's Mother | Episode: "The Quantum Theory" |
Short subjects
- Flashes Festival (1965)
- The Spider (1970)
Stage credits
- Escapade, as Molly (November 1953)
- All Summer Long, as Ruth (September 1954 – November 1954)
- Come on Strong, as Virginia Karger (September 1960 – October 1960)
- Other
- Rain (1977)
- Bell, Book and Candle (1978)
- Motive (1978)
No comments:
Post a Comment
Please leave a comment-- or suggestions, particularly of topics and places you'd like to see covered