An Architect of Ideas, Not Buildings
Saturday, April 26, 2014
Lebbeus Woods, Centricity, 1986-88.
(San Francisco Museum of Modern Art)
A new exhibit celebrates the work of a provocative architect whose work was rarely built.
The Drawing Center is presenting a show on Lebbeus Woods, who designed complex worlds that fostered discussions about the role of architecture. Woods was a professor at The Cooper Union until he died in 2012.
The exhibit presents over 100 works from the past 35 years, including projects addressing cities damaged by war, like Zagreb and Sarajevo, or by nature, in places like the Bay Area. "Buildings that can slip across the surface, that can shift in form," explained co-curator Joseph Becker. "Or can embed themselves into fault lines, to trigger mini-quakes, to offset major quakes, is really looking at all these different ways that architecture can perform," he said.
Jennifer Dunlop Fletcher, co-curator of the show, said Woods was trained as an engineer and an architect. "He really understood structure and how to draw something that could be built, and then worked quite hard to make sure that it couldn't, so it always remained in the realm of discussion and debate," she said.
The exhibit is on view until June 15.
The Drawing Center is presenting a show on Lebbeus Woods, who designed complex worlds that fostered discussions about the role of architecture. Woods was a professor at The Cooper Union until he died in 2012.
The exhibit presents over 100 works from the past 35 years, including projects addressing cities damaged by war, like Zagreb and Sarajevo, or by nature, in places like the Bay Area. "Buildings that can slip across the surface, that can shift in form," explained co-curator Joseph Becker. "Or can embed themselves into fault lines, to trigger mini-quakes, to offset major quakes, is really looking at all these different ways that architecture can perform," he said.
Jennifer Dunlop Fletcher, co-curator of the show, said Woods was trained as an engineer and an architect. "He really understood structure and how to draw something that could be built, and then worked quite hard to make sure that it couldn't, so it always remained in the realm of discussion and debate," she said.
The exhibit is on view until June 15.
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Gisele Regatao, Senior Editor, Culture, WNYC News
Gisele Regatao is the Senior Editor for Culture for WNYC News, where she reports, edits and curates features, news and criticism across the creative arts and the sweeping intellectual terrain that make New York one of the most fascinating places in the universe.
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